113年9月26日「開在壁上的花」-戲劇賞析

「一齣戲，也是一段歷史……」

簡國賢，留日攻讀戲劇，國民政府接收後，見台灣人依舊遭受二等公民的差別待遇，開始創作「壁」等針貶貪腐的戲劇作品，被迫流亡。

楊國宇，舞台劇「壁」公演時參與幫忙，十分喜愛並深受感動。高三一天凌晨，兩位男子請他幫忙找人，與母親一別就是10年⋯⋯

林秋祥，簡國賢養女之兄，夜裡警察敲門來找，他告訴父親「沒事的」即被關入監牢。為救兒子，富裕的家境被騙一空，淪落負債。

國民政府來台不久，228事件、白色恐怖如大浪襲來，改變了台灣、以及三個桃園人的命運⋯⋯

“A play is also a part of history…”

Jian Guo-Xian, who studied drama in Japan, began creating plays such as "The Wall" to criticize corruption after witnessing Taiwanese people still being treated as second-class citizens following the takeover by the Nationalist government. He was forced into exile.

Yang Guo-Yu, who helped with the stage production of "The Wall," was deeply moved and impressed. One early morning in his senior year of high school, two men asked him to help find someone, and he had not seen his mother for 10 years since then…

Lin Qiu-Xiang, the brother of Jian Guo-Xian’s adopted daughter, was arrested one night after the police came knocking. He told his father that “nothing is wrong” and was subsequently imprisoned. To save his son, his once-wealthy family was swindled and fell into debt.

Shortly after the Nationalist government arrived in Taiwan, the 228 Incident and the White Terror swept in like a great wave, changing the fate of Taiwan and the three individuals from Taoyuan…